Select Images
View of Phase 2 of 4 with: A Very Beautiful Day After Tomorrow–Marquee [Entanglement of Modernist Myths] , and, on the left, Vector Tricolor [Entanglement of Modernist Myths ] , 2007 (all works © Luca Buvoli). Detail, inside view of Arsenale room, 52nd Venice Biennale . Reinforced polyester and polyurethane resin, metal, plexiglass, plaster, and other materials. Work made possible with the support of the Biennale di Venezia, The Institute of Contemporary Art in Philadelphia, and the International Council of the Museum of Modern Art, New York. Photo by Giorgio Zucchiatti. Courtesy of the artist and the Fondazione La Biennale di Venezia.
View of Phase 2 of 4 with: Vector Tricolor [Entanglement of Modernist Myths] , 2007 (all works © Luca Buvoli). Detail, back view of Arsenale room, 52nd Venice Biennale. Reinforced polyester and polyurethane resin, metal, plexiglass, plaster, and other materials. Work made possible with the support of the Biennale di Venezia, and the International Council of the Museum of Modern Art, New York.Photo by Giorgio Zucchiatti. Courtesy of the artist and the Fondazione La Biennale di Venezia.
View of Phase 2 of 4 with: Vector Tricolor [Entanglement of Modernist Myths] , and, far left, Un Bellissimo Dopodomani–Mosaic [Anachroheroism] , 2007 (all works © Luca Buvoli). Detail, back view of Arsenale room, 52nd Venice Biennale . Reinforced polyester and polyurethane resin, metal, plexiglass, plaster, and other materials. Work made possible with the support of the Biennale di Venezia, and the International Council of the Museum of Modern Art, New York.Photo by Giorgio Zucchiatti. Courtesy of the artist and the Fondazione La Biennale di Venezia.
View of Phase 1 of 4 with: Vector Tricolor [Anachroheroism] , Wall of Propaganda Posters [Anachroheroism] , and Un Bellissimo Dopodomani–Mosaic [Anachroheroism], with, in the back, A Very Beautiful Day After Tomorrow–Marquee [Entanglement of Modernist Myths] , 2007 (all works © Luca Buvoli). Detail, view of front entrance of Arsenale room, 52nd Venice Biennale . Reinforced polyester and polyurethane resin, metal, glass and marble mosaic, gouache on monoprints on paper, and other materials. Work made possible with the support of the Biennale di Venezia, The Institute of Contemporary Art in Philadelphia, and the International Council of the Museum of Modern Art, New York. Photo by Giorgio Zucchiatti. Courtesy of the artist and the Fondazione La Biennale di Venezia.
